|
|
|
Bal-Sagoth
« Atlantis Ascendant »
| |
|
| |
|
|
| |
| |
| |
1 | The Epsilon Exordium
|
| 2 | Atlantis Ascendant
|
| 3 | Draconis Albionensis
|
| 4 | Star-Maps of the Ancient Cosmographers
|
| 5 | The Ghosts of Angkor Wat
|
| 6 | The Splendour of a Thousand Swords Gleaming Beneath the Blazon of the Hyperborean Empire (Part: III)
|
| 7 | The Dreamer in the Catacombs of Ur
|
| 8 | In Search of the Lost Cities of Antarctica
|
| 9 | The Chronicle of Shadows
|
| 10 | Six Keys to the Onyx Pyramid |
|
Byron Roberts - vocals
Chris Maudling - guitars
Jonny Maudling - keyboards
Mark Greenwell - bass
Dave Mackintosh - drums |
|
All lyrics and stories by Byron
All music by Jonny & Chris Maudling
"ATLANTIS ASCENDANT" was recorded
November/December 2000 (C.E.) at Academy Music
Studio. Yorkshire, England. Engineered & mixed by
Mags. Produced by Mags & BalSagoth.
Cover concept, sleeve/inlay design and original
Bal-Sagoth logo design by Byron
Cover artwork and all interior booklet and sleeve
illustrations by Martin Hanford
Band photography by Simon Lee of Judas Cradle
Artworks
Byron's weapons supplied by Battle Orders Ltd.
Official BalSagoth Website maintained by Jamie
Thomson
Published by Prophecies Publishing
Pledge your sword to Bal-Sagoth and enlist in the
Legions of the Black Moon today by writing to:
BALSAGOTH. The Legions of the Black Moon,
c;o B.A. Roberts. 27 Main Rd, Usher Wood.
Wharncliffe Side, Sheffield S35 OOP. Yorkshire.
England
Explore the fantastic and arcane multiverse of
BalSagoth at the Official BalSagoth Website:
www.BalSagoth.co.uk
All lyrics, music, artwork and logos copyright
2000 B.A. Roberts/BalSagoth |
|
| 1. The Epsilon Exordium
[Instrumental]
[From the journal of Professor Caleb Blackthorne III, discovered May 1899, near the great Temple at Tiahuanaco, Peru:]
[23 September: 1893]
Upon extensive examination of the nefarious arcane codex known as The Epsilon
Exordium, I believe my search ma |
|
|
|
|
|
|
|
| |
|
|
|
Честно говоря, я не совсем понимаю зачем было записывать этот альбом. Если группа не может родить новых идей, то ей стоит просто заявить о прекращении существования и разойтись по домам. После "The Power Cosmic", я подумал, ну ладно, еще один альбом, можно послушать. Хотя бы просто так. Потому, что весело и хороший фон. Но окончание космической саги стало еще более занудным на первый взгляд. Прослушав первые 2 раза, я не увидел ничгео нового. Все как обычно. И это разочаровывает. Правда, в некоторых треках появились новые элементы аранжировок, но все равно. Ничего нового. Группа из разряда тех, кто делает свои альбомы из года в год не меняя стиль. И четко держит марку. Хоть у Crematory это было интересно, тут слушать беспрерывное бормотание Байрона, честно говоря, утомляет. Что касательно альбома в целом - все тот-же Барбариан-метал, окончание Chronicle of Shadows, саги в 3-х частях. Это последняя. Слава zqwfv. |
|
|
| |
| | | |
| |
В отличие от преемника – рванного и агрессивного «The Chthonic Chronicles», рецензируемый альбом мягкий, пластичный и даже слишком спокойный. Экспрессивные изыски нескладного «Battle Magic», драйв и скорость «The Power Cosmic» как будто вычеркнуты из дискографии англичан. «Atlantis Ascendant» продолжает линию первых двух альбомов Бирона и Ко. Но есть и существенное отличие: диск 2001 года вышел под маркой Nuclear Blast и стал апофеозом сотрудничества с немецким лейблом. Атмосфера и мистичность поданы под соусом «причесанного» коммерческого звука. Утопленные ударные, обволакивающие гитары, отсутствие каких-либо резких перепадов в музыке – возможно, достаточный повод назвать ее монотонной для тех, кто не является маниакальным поклонником традиционного саготовского пафоса и наивных, хотя и монументальных мелодий.
Bal-Sagoth с этим альбомом как-то слишком легко вписались в рамки симфо-блэкового мейнстрима, но при этом остались узнаваемы. Громадное внимание уделено различным атмосферным эффектам: синтезатор (часто в дуэте с соло-гитарой, но преимущественно единолично) то нагнетает напряжение, то подчеркивает величие момента, то легким касанием нагоняет ощущение тревоги и мрака. «Atlantis Ascendant» уверенно держит пальму первенства по мрачности и атмосферности даже в соперничестве с такими гуру этого дела, как первые два альбома команды. Подобным обилием захватывающих дух тем группа не могла похвастаться и в свой классический период. При этом к стандартной для них вычурности добавилась излишняя рафинированность: слишком уж привычно и несвежо звучат прелюдии, слишком безвариантно течет повествование, заученно проходят грандиозные баталии. Острая нехватка свежести – пожалуй, единственная обоснованная претензия к данному материалу. Но… сказочно-заманчивы мелодии, так же безвариантно, как и в случае с развитием сюжета, вовлекающие слушателя в фэнтезийный мирок Bal-Sagoth. Да, Атлантида обречена, как и любой адекватный свидетель ее падения в подаче англичан. Но… но…
Я очень люблю эту работу, правда, на момент первого знакомства несколько больше, чем сейчас. Возможно, это наиболее подходящая характеристика для всего позднего творчества этой команды. |
|
|
| |
| | | |
| |
Ну-ну-ну БОНЕЗ. Не стоит так критично относится к Байрону и Ко. Ведь что мы по сути имеем - просто продолжение Саги. Что ты вообще от них ждал? Чтобы англичане бросились в никому не нужные эксперименты (которые почему-то всегда заканчиваются однозначно - полным сэмплированием-электронизацией-облегчением звучания), либо продолжая ТВОРИТЬ в рамках проторенной ими же дороги. Что до меня - я ни капли не разочарован. Здесь все тот же сплав Байроновских речетативов, развеселых (а иногода и напыщенных) барбэрианских гимнов и плюс барбериан (не путать с викинг)- метал; и с аранжировками все нормально.
Да и еще - знаешь ли ты хоть одну одну команду, кто Придумал свою вселенную с более-менее проработанной географией и событиями (пусть хоть это все и собрано из разных источников по нитке), и стал привязывать к этому свое творчество, и чтобы такой подход не был поднят курам на смех? Да были кто пели по чужим мирам (Summoning - Tolkien-MiddleEarth, Rakoth - Перумов), но Bal-Sagoth -наверно единственный, кто сделал чтото свое уникальное и ни кем до сих пор не скопированное. И только за это их можно хотя-бы уважать. И как всегда во вкладыше полновесная книжечка с чудесными текстами. Единственное разочарование - явно не проработан материал The Splendour Of A Thousand Swords... - просто взяли практически все с Battle Magic.
Далее.... |
|
|
| |
| | | |
| |
Этот альбом неприятно удивил тем, что на нем совершенно провалены инструментальные композиции (это вообще в металле редкость, а уж от Bal-Sagoth я и подавно этого не ожидал) - какие-то они принойзованные и неуверенные. А вот все остальное очень даже ничего. Музыкально новых идей действительно полное отсутствие, но оно и к лучшему - никто подобную музыку больше не играет, и незачем музыкантам коверкать свой аккуратненький замкнутый фэнтезийный мирок. Насчет текстов - если продраться сквозь завалы "Очень Страшных Слов, Обычно Написанных С Большой Буквы", то вы узнаете о судьбе одного археолога 19-го века, который копал, копал, и выкопал на свою голову. Не очень оригинально, но завязка на Землю меня порадовала. Байрон иногда не попадает в такт своим речитативом, но это мелочи. На облочку без улыбки смотреть не могу - там нарисовано что-то вроде злобного, облаченного в доспехи зайца. :) Итог: не самый лучший, но и не самый худший альбом, можно слушать и даже переслушивать. PS: И знайте: "Named in that black, shunned tome of forbidden lore, destined to rule this telluric sphere and the myriad stars beyond once more, The Dreamer shall arise!" :)) |
|
|
| |
| | | |
На мой взгляд, один из лучших альбомов Bal-Sagoth, наряду с "The Power Cosmic" и "Starfire Burning...". Звучание стало, как и обещали, куда более готическим (если это слово можно пременить к Bal-Sagoth) и мрачным, исчезла некая хаотичность. Выделил бы песню "Dreamer in the Catacombs of Ur" - очень эмоциональная и приятная. Вообще, этот релиз отличает особая пафостность. От силы еще двум-трем группам я поставил бы девятку, не говоря уж о десятке! Однако, я предчувствую, что тех кто начал слушать группу с ранних альбомов он разочарует (что, в общем-то, не слишком необычно). Однако если вы только хотите познакомится с миром Sagoth, то приложите усилия, купить 2001. Остальные альбомы от этого ничего не потеряют... |
|
|
| |
| | | |
По-моему, поздние работы Bal-Sagoth на голову, а то и на 2 выше всех их предшествующих работ. Тут уже нет жалких потуг играть непонятный блэк. Хотя, конечно, налет остался. Да и Lord никак не может отделаться от своего не особо хорошего гроула, который ну никак не вяжется с их нынешней музыкой. Альбом достаточно неплох даже с точки зрения эпика, очень интересное вступление, да и остальные треки не подкачали, есть достаточно приятные переходы. Песни по ролям тоже улыбнули. И все бы хорошо, можно было бы поставить даже 7, но вокал, который, как я уже говорил, не всегда сочетается с музыкой, опускает оценку до законной 6. |
|
|
| |
| | | |
| |
|
| |
просмотров: 16956 |
feel that perhaps the great discovery which has eluded me for so long may
finally be within my grasp. And yet I must be cautious, for twice more have
I seen the figures in the night, watching me in silence from the confines of
the darkness. I cannot discern their features, only that they are vaguely
human in shape, save for their arms which seem abnormally long and oddly
jointed. My native guides are becoming increasingly agitated and skittish,
babbling incoherently about the guardians of the tombs... citing legends
from their ancestral past which speak of mysterious travellers who reputedly
came down from the stars in great silvern chariots drawn by steeds of flame.
At any rate, I have my trusted Martini-Henry .45 calibre breech-loader
should these silent stalkers prove malign and ever deign to lay hold of me
in the night. I have at last translated the carvings on the stone fragment I
unearthed amidst the ruins of Angkor Wat. To my astonishment, I found that it
predated the construction of the temple itself by countless thousands of years,
and that it spoke of the same subject as did the hieroglyphs I beheld on the
wall of the concealed chamber which I and Lord Blakiston discovered within the
Great Pyramid in Egypt. Successive examinations of the edifices at Giza and
Karnak revealed further parallels too precise to be mere coincidence. The
pieces of this great cosmic puzzle are finally beginning to fall into place...
[2 October: 1893]
Yes, it is as I suspected. I have long felt that the Sumerians of Mesapotamia
were among the first peoples to attain elucidation concerning the dread matter
I pursue. My excavations at Lagash, Eridu, and most notably the ziggurats at
Ur, have revealed truths which subsequent finds at Angkor, Egypt and
Sacsahuaman only serve to consolidate. I now know that the Olmechs, the Aztecs
and the Mayans were also undeniably key tendrils of this grand global web,
and the unnerving truth I hitherto felt compelled to deny now seems inexorably
to point to some grand and terrifying universal axiom.
It seems however, that the closer I come to enlightenment, the greater the
danger becomes. Last night, one of our expedition's chief guides disappeared
without trace. His native compatriots could find no tracks, nor offer any
evidence of his departure to suggest that his superstitions had finally
compelled him to abandon the party... the man seems simply to have vanished
inexplicably into the oppressive, sweltering dark. In light of the
disappearance, I opted not to inform the group that during the darkling hours
before sunrise last night I had peered from my tent to behold what I perceived
to be three of the shadowy figures I have previously described moving furtively
in the gloom, keeping ever just out of the illuminatory radias of our campfire.
By the time I had brought my rifle to bear, they had melted away into the
fathomless shadows of the benighted jungle...
[10 October: 1893]
The inscriptions on the tablet I discovered seem to be a fragmentary piece of
some mysterious, perhaps apocryphal, larger work; evidently a lexicon of some
description, undoubtedly of antediluvian origin. The first section, as far as
I can discern, tells of an era thousands of years past when countless great
and advanced civilisations, apparently with the legendary Atlantis foremost
amongst them, spanned the circumference of the globe. The initial passage,
seemingly a celebration of Atlantis Ascendant carved by a renowned chronicler
of the day, speaks thusly:
2. Atlantis Ascendant
[The Chronicler of Antediluvia:]
Long ago, before the Third Great Cataclysm reshaped the face of creation,
one nation rose above all others in the antediluvian world... Atlantis.
[The Atlantean Quorum:]
Hear the call Atlanteans, proud we stand forever,
Mightiest of warriors, we sail across the sea.
Conquering the ancient world, a legacy eternal,
Raise the arcane sigil high, steel and sorcery!
Blessed with immortality, dreaming spires of majesty, glory crowns our destiny!
[The Host of Z'xulth:]
Your realm is lost... it shall be devoured by the sea!
[The Chronicler of Antediluvia:]
And so it was written in the stars, astride the world would stand the children
of Atlantis!
And yet disturbingly, another voice, a wholly darker and more malevolent
presence, can be perceived lurking within the ancient body of the inscriptions,
an ominous tone which prophesizes doom and ruination for the Atlantean realm,
speaking of a disastrous cataclysm foretold in the stars when the sun would
burn black and the agents of some unfathomable evil would besiege Atlantis,
ultimately compelling the seas to rise and devour the continent, leaving no
trace of the glory which once was. These passages seem to have been
deliberately obscured, and this fact combined with the passage of countless
aeons and the embrace of the eternally shifting sands lamentably prevents me
from translating the inscriptions on the fragment any further.
3. Draconis Albionensis
[The Oracle of Logres:]
It was a time of change. The descendants of the Atlantean mages had fallen
before the New Praesidium, and the wolves were baying at the Empire's door.
An oppressive new faith was encroaching from the east, and the sylvan liege
had locked tight the gates of his arboreal realm. And so it was that towards
the end of the Age of Mystery, the last of Albion's great Dragon Lords did
gather for what would be their final battle...
[The War-song of the Dragon Lords:]
Dragon-phalanx rend the sky, Albion our gleaming prize,
Sentinels of land and sea, guardians of destiny.
(Prowling amongst the pecseatan; Draconis Bipedes, swift and furious beast of battle!)
[The Dragon King's Vow:]
(Dragon-Runes etched by the firey tongues of the IX Legio Draconis into the
primordial stone of the great Logres Drachenstahl Cromlech):
The foes of this sceptred isle shall be driven back into the sea!
An oath sworn in battle, a vow blessed by steel,
I swear by the dragon's blood in my veins... and the dragon's heart that pumps
it!
[The War-song of the Dragon Lords:]
Dragonfyre in the fray, faith and steel shall win the day,
A god to serf and king alike, the Adamantine Hammer strikes!
(Devouring the infidel outlanders; Draconis Nematoda, great winged worm of war!)
[The Dragon King's Vow:]
To victory eternal... this world shall be our empire!
Dragon Imperium, throne of the Ancient Gods, behold the axiom, Wyruld-Cyninga!
It is time! We shall rule, and upon our dominion the sun shall never set!
[12 October: 1893]
I must commit this to the pages of my journal, while it is still vivid in my
recollection... not that such a macabre vision could possibly soon be
blissfully forgotten. Just before dawn, I awoke from a fantastic and somewhat
horrifying dream in which I traversed a great black cyclopean cityscape,
its towering stygian walls inscribed with some form of outlandish glyphs which
seemed to writhe squamously and alter their shape even as I gazed at them.
A sibilant whispering which seemed at once familiar and yet intrusively alien
compelled me to walk to the edge of a particularly sinister looking edifice
and peer out over its precipitous perimeter. When I did so, I beheld this
world of ours, recognizing vaguely the apparent shapes of the five continents,
yet the entire vista seemed so distant that the whole appeared in its entirety
no larger than a sphere which I could fit snugly into the palm of my hand.
When I turned again to behold the looming obelisks, I found I could then
easily read the previously untranslatable ciphers in the black stone. They
were the words of a great thaumaturgist who had seemingly discovered a
repository of aeons-old lore detailing the sidereal web of the cosmos, with
arcane diagrams pinpointing certain astral portals and places of empyreal
potency, a sort of pangalactic ley-line chart, if you will. Indeed, these
Star-Maps Of The Ancient Cosmographers seemed to take a not insignificant toll
on the author's sanity, as evidenced by the tone of his inscriptions, which
seem to suggest that in discovering this Pandora's Box of dark elucidation,
his fate was to be inexorably dogged by some nameless and implacable gloom;
4. Star-Maps of the Ancient Cosmographers
[The Thaumaturgist:]
The Great Eye of the Universe opens! Through this astral art the secrets of the
cosmos are mine to know... for the stars are my dominion!
Empowered at the periphery, ascending to the Id's eyrie,
The cosmos feathers her nest with fire.
Ephemeral, the nexus calls, besieging cyclopean walls,
Branded deviant and pariah.
Betwixt the hammer and the anvil are forged the stars...
On the wings of the ersatz ones... through the fathomless abyss.
[The Thaumaturgist's Epiphany:]
Like a blackened and baleful sun shall I gaze down from beyond the cumuli and
the firmament upon you. I alone must bear the burden of this fiend-wrested lore.
New stars without number burn in the heavens, but the shadow of oblivion falls
ever closer.
Shortly thereafter, the dreamscape began to fade, and reality beckoned my
consciousness away from the incredible vista. In truth, I was indeed glad to
awaken...
5. The Splendour of a Thousand Swords Gleaming Beneath the Blazon of the Hyperborean Empire (Part: III)
[THE ANTEDILUVIAN ORACLE:]
Behold glorious Hyperborea, gleaming jewel of the
north; an eon-veiled kingdom forever steeped in ancient legendry and the renown
of its martial splendour... but of late, an ill wind whispers malignly through
its opulent labyrinth of marbled citadels...
[WHAT HAS GONE BEFORE:]
[Episode I:]
THE SPLENDOUR OF A THOUSAND SWORDS GLEAMING BENEATH THE BLAZON OF THE HYPERBOREAN EMPIRE
[To be found on the second Bal-Sagoth album; "Starfire Burning Upon The Ice-Veiled Throne of Ultima Thule"]
[Episode II:]
THE DARK LIEGE OF CHAOS IS UNLEASHED AT THE ENSORCELLED SHRINE OF A'ZURA-KAI
(THE SPLENDOUR OF A THOUSAND SWORDS GLEAMING BENEATH THE BLAZON OF THE HYPERBOREAN EMPIRE: Part: II)
[To be found on the third Bal-Sagoth album; "Battle Magic"]
NOW...
[Episode III:]
CRY HAVOC FOR GLORY, AND THE ANNIHILATION OF THE TITANS OF CHAOS!
(THE SPLENDOUR OF A THOUSAND SWORDS GLEAMING BENEATH THE BLAZON OF THE HYPERBOREAN EMPIRE: Part: III)
[ALTARUS:]
And so, it ends. You have learned much, young Xerxes.
Your training is nigh on complete.
The years which you have spent here at the Praxeum have been difficult ones,
but the reward of elucidation you have gained far outweighs the hardship you
have endured. Many lessons have you learned, not least of which is that
knowledge is never without its price, my neophyte.
[XERXES:]
Yes, master Altarus. I have heeded your tutelage well, and your wisdom
has been a great balm to me during the many trials I have undergone. I can now
command the Mists of the Oracle, and the Great Eye of the Universe opens at my
bidding. And yet, before I am placed before the final scrutiny of the Elders,
I ask that I be allowed to gaze into the sidereal vista once more, to witness
the final outcome of that great struggle which has so captivated me during my
studies at the Praxeum.
[ALTARUS:]
Ah yes... the epic conflict between the Dark Liege of Chaos and the
royal Scion of proud Hyperborea. Very well, my young apprentice. Command the
starscape to divulge its mysteries... look deep into the fathomless mists, and
the ruinous carnage of A'zura-Kai shall once again be arrayed before thine
curious gaze. Aye Xerxes, thrice you have summoned the besieged and benighted
vista of Hyperborea... now pay heed, for the final battle is at hand!
[Chapter 7: The Last Stand Against Chaos.]
[ALTARUS:]
And a crimson sun rose slowly over the Field of Blood... and such
were the corpse-mounds of the dead that they aspired to touch that ireful orb.
Slithering shadows nuzzled the massed bodies of the slain, as the King rallied
the survivors of the battle against Chaos to one final act of defiance...
[LORD ANGSAAR:]
Impertinent mortal wormcast! Do you truly aspire to prevail
against me? I am the Bane of the Atlantean Kings, the Scourge of Lemuria,
Arch-Foe of the Immortals of Ultima Thule! Long before man hurled himself
squamously from the primordial ooze, I waged war with gods and thwarted
eternity!
[ALTARUS:]
Lord Angsaar, the Dark Liege of Chaos, was poised on the brink of
ultimate victory. By insidious manipulation, he had carefully drawn the forces
of Hyperborea to battle at the Shrine of A'zura-Kai, pitting his legions of
ravening wraiths against the stalwart forces of the Hyperborean Empire, and
during the fray his agents of evil had seized the Ninth Crystal of Mera from
the grasp of the King. With the cosmic energies of the Shrine magnifying the
empyreal power of the Ninth Crystal, Angsaar triumphantly performed the arcane
rite that would sunder the sorcerous fetters which had hitherto kept his
physical incarnation confined within the ancient Chamber of Slumber. Summoning
the interdimensional portal which the mystic power of the Shrine allied with
the sorceries of the Crystal could generate, Angsaar channelled his fiendish
presence from his darksome prison directly to the death-gorged Field of Blood.
Thus was the spell of confinement woven countless aeons ago by
Angsaar's immortal nemesis broken, and on that fateful day the dread
Chaos-Liege strode the world of mortal men once more. The King, flanked by the
few valiant survivors of the ruinous Wraith-onslaught, stood defiant before
the withering glare of Chaos...
[LORD ANGSAAR:]
Ah, great King of Hyperborea! My mystic shackles are at last
broken... I am free once more! Your army is lost, your realm is mine...
it shall be blessed with the honour of being the first to fall before my
renewed onslaught! Bow to me in obeisance!
[THE KING:]
Never! For too long your diseased machinations have hung like a
black pall over glorious Hyperborea... you have invaded my very dreams and
sown the virulent seeds of base treachery within my court. It ends here,
arch-fiend!
[LORD ANGSAAR:]
Feh! Yield to me, throw down your sword! Obey and I promise
that your death shall be swift, if not entirely devoid of suffering!
[THE KING:]
I defy you!
[LORD ANGSAAR:]
Hyperborea shall fall! Your court shall become the heart of my
new imperium! Your people shall become my lackeys, bearing the glorious burden
of my sovereignty with sweet praise upon their lips!
[THE KING:]
I shall always defy you!
[LORD ANGSAAR:]
Then your pain shall etch a new legend of suffering in the
benighted obelisks of the Outer Darkness, and not even that cursed blade of
adamantine black steel shall preserve thee! Die!
[THE KING:]
So, the final battle begins! Into the fray we ride! For the eternal
glory of Hyperborea!
[ALTARUS:]
And the Chaos-Liege summoned the remnants of his cackling
wraith-horde, commanding the unholy brood to once more hurl itself like a
black tide against the now bloodied but still razor edged steel of the grim
survivors of Hyperborea. With the enchantments of the Ninth Crystal still
crackling in the air about the Shrine, the incorporeal frames of the wraiths
were once more transmogrified into squamous pseudo-flesh, and thus vulnerable
to the biting blades of the King's depleted war-host. Rallying his forces once
more, the Royal Scion of Hyperborea clove into the massed hordes of nethermost
horror, his ensorcelled ebon blade hewing five-score left and five-score right,
leaving a viscous and noxious trail of sundered fiends in his wake. The
Arch-Wraith of Lord Angsaar, that same bestial horror which had smitten the
King and seized the Crystal of Mera from his gauntleted fist, swooped screaming
from the crimson sky in a bid to extinguish the life-force of the Hyperborean
monarch, but the benighted blade of the King was swifter, and with a flash of
noisome green light and smoke, the Arch-Wraith's head rolled to the
blood-slaked earth, its leering countenance forever frozen in a grotesque
parody of un-death. And once more, like a purifying storm of righteous fury
the heroes of Hyperborea dealt steel-cold and martial discipline unto the
baying hounds of Chaos.
[XERXES:]
And yet I perceive that the wraith-horde's number was being ever
bolstered by the sorceries of the reborn Chaos-Liege... for every keening
horror hacked down by a Hyperborean blade, three more were summoned from the
Outer Darkness by the machinations of Angsaar. Even the courage and the grim
determination of the King's valiant force could not hope to prevail against
such an overwhelming foe. But the last, best hope still remained, clutched
tightly within the King's fist! The Shadow-Sword!
[ALTARUS:]
Your perceptions are clear, young Xerxes. The life-essence of
Angsaar's arch-foe was still encased within the stygian sword following their
last cataclysmic encounter many aeons past, and that yard of fearsome black
steel spoke once more to the King in the same long dead tongue it had burned
upon his mind deep within the Mountains of the Dead. One hope remained to
defeat Angsaar, but it would carry with it a most terrible price for the King.
[Chapter 8: The Return of the Immortal]
[THE ECHOES OF THE IMMORTAL:]
Hearken, noble King of Hyperborea. Long ago,
before life evolved from the boiling oceans of the primordial sphere, I waged
furious and slaughterous battle with the Chaos-Liege over the possession of
the sacred Crystals of Mera, shards of such incredible sorcerous potency that
even the Empyreal Lexicon itself was no greater a prize. Although I succeeded
in smiting the dark one and imprisoning him within his Chamber of Slumber, I
was hammered to the brink of dissolution by the abominations of Chaos, and I
thus transferred my life-essence into my Sword, that same blade which you now
hold in your grasp. I committed my fading energies to concealing the blade
from the sight of man until such time as it would once more be needed to bring
to bear against Chaos... aye, until such time as Angsaar reawakened. It was I
who guided you to the mountainous resting place of the blade when my arch-foe
marked you as central protagonist in his scheme to recover the
Prime Crystal, o' King of the North. To utterly destroy the Dark Liege of
Chaos, you must join your essence with mine... we must fuse our life-forces
and become one so that my full power may be unleashed against Angsaar once
more. But this final deed demands the most severe of tolls, o' noble monarch...
To become as one with the immortal essence of the Shadow-Sword is to sacrifice
forever your own mortality, and to forsake eternally the world of man. Are you
prepared to pay this price, King of Hyperborea?
[THE KING:]
To preserve the sovereignty of my realm and safeguard my people
from the forces of darkness? Aye! For my kingship demands no less a commitment!
So be it... let this final deed be done!
[THE WARRIORS OF HYPERBOREA:]
Imperius Rex!
[LORD ANGSAAR:]
What futile gesture is this? Curse you, manling! Can you not
accept the inevitability of your defeat?
[THE KING:]
Begone, servitor of Chaos! Your nemesis awaits thee! Return to the
Outer Darkness!
[LORD ANGSAAR:]
You fool! You cannot comprehend your actions! I offered you
sweet oblivion, and instead you have chosen tortuous damnation!
[THE KING:]
I would sooner suffer damnation a thousand times than bend the knee
to Chaos!
[ALTARUS:]
And a great stillness descended over the Field of Blood. Grimly,
slowly, the King held aloft the Shadow-Sword and spoke those baleful words of
power which had been forever branded indelibly upon his soul. Writhing tendrils
of night-dark, coruscating energy lanced from the surface of the blade,
entwining the King in a pulsating chrysalis of searing sorcerous power. His
eyes shone deep crimson with an illuminatory radiance not born of this world,
and forces which had lain dormant since before the fall of the Third Moon
stirred at last from their aeons-old slumber...
[LORD ANGSAAR:]
No... my eternal nemesis, you will not thwart me! Abominations
rise! Destroy these mortals who vex me as the buzzing of gnats vexes a titan!
Drag their impudent souls to the abyss!
[THE WARRIORS OF HYPERBOREA:]
Havoc is the cry! Come, fiends of the nether-void...
face righteous pattern-welded death!
[LORD ANGSAAR:]
Praise Chaos! By the crystal heart of Mera I shall stand deified!
[THE WARRIORS OF HYPERBOREA:]
Glory eternal! For our King and sacred Hyperborea!
[THE KING:]
Noble warriors of Hyperborea... I salute your steadfast courage.
This will be my final command to you. Now come... follow your King into battle
one last time. Into the fray we ride... For the eternal glory of Hyperborea!
[ANGSAAR:]
The circle closes... you cannot resist the unparalleled might of Chaos and the exquisite majesty of the Z'xulth! I shall unleash all the terrors of the Outer Darkness against thee! Behold the true extent of my power... My flesh is a shrine wherein all demons dwell!
[THE WARRIORS OF HYPERBOREA:]
Stand fast! Cry havoc for glory and the annihilation of the titans of Chaos! We fight to the last man!
[THE KING:]
By all the gods of Hyperborea... a legacy shall be wrought by our blades... our legend shall live forever! Hear me, Angsaar! My humanity fades... my mortality dissipates as does the darkness before the glimmering kiss of the dawn! Let us finish it... Let this be our final battle!
[ALTARUS:]
And thus was etched into the eternal codex of the heavens the
immortal legend of the Hyperborean Empire.
[XERXES:]
But master Altarus... what was the outcome of the final clash? What
effect did the power of the Immortal have upon the King? Did he ultimately
defeat Angsaar and the horrors spawned from the Outer Darkness?
[ALTARUS:]
Alas Xerxes, no one knows the final outcome of the battle. Even the
Great Eye of the Universe and the Mists of the Oracle are unable to ascertain
the fate of the King and his army on that fate-steeped dawn. So much
unparalleled and polarized arcane power was unleashed upon the Field of Blood
at that instant that it has forever obscured the oracular vista and shielded
the truth from the eyes of even the most talented and presentient master of
the Praxeum. Today, Hyperborea is but a memory, a glorious legend which rests
forever within the same fathomless shark-haunted grave as do mythic Lemuria
and fabled Atlantis..
[XERXES:]
I shall make it a priority to ascertain the truth, master. I vow I
shall channel all the skills I have learned here at the Praxeum into
discovering the final fate of the King of Hyperborea!
[ALTARUS:]
And I believe that you may well succeed, my young apprentice. But
whatever the case, one thing is certain. As long as legends endure in the
cosmos and the deeds of heroes are celebrated in the annals of eternity, none
who gaze in awe beyond the mists and are blessed to behold it shall ever forget
the splendour of a thousand swords gleaming beneath the blazon of the
Hyperborean Empire.
[THE END...?]
[15 October: 1893]
After a sleepless and oppressively feverish night spent pondering the truths
which I exhumed amongst The Ghosts Of Angkor Wat, I have concluded that these
perceived parallels and their possible significance carry me ever closer to
the centre of this great global web, the strands of which I have been
traversing in my long quest for enlightenment, and yet I now fear that the
owner of this web has surely felt the tremblings I have caused along its
delicate filaments, and may well feel compelled to investigate the
disturbance...
6. The Ghosts of Angkor Wat
[Instrumental]
[17 October: 1893]
Such grim musings as have been occupying my mind of late unfortunately seem
to suggest a possible link to the fate of my learned friend and colleague
Doctor Ignatius Stone. That brilliant researcher was last seen in command
of all his faculties whilst on an expedition to the ruins of the Sumerian
city of Ur, an undertaking which preceded my own work there by some eighteen
months. Stone was a gifted archaeologist who also dabbled, perhaps unwisely,
in certain areas of the occult, particularly involving the various
grotesqueries once worshipped as Cthonic deities by the ancient denizens of Ur.
Mere days before he ventured into the ziggurats of that foreboding,
mystery-haunted site, he had dispatched a letter to me claiming that he was
on the verge of a truly staggering arcane discovery at Ur which would
simultaneously prove the cyclical nature of human civilisation as well as
immediately render redundant all previous theories on the origin of man.
Whatever misfortune befell him within those aeons-old tombs robbed him
irrevocably of his sanity, for when his attendants finally managed to prise
open the stone door of the vast central catacomb, which had, I'm told,
inexplicably shut fast behind his three-man torch-bearing party, they found
two of the regularly stalwart men had seemingly expired of pure fright,
while Stone was slumped against the north wall, staring vacantly into the
gloom, gibbering about visitations by beings so terrible that the very
contemplation of their existence would sunder a man's tenuous hold on the
reins of sanity.
When I later visited him at the sanatorium in England, I found him to be a
tragic shell of the man I once knew, a man beset by imagined terrors and
ever wary of the immemorial horrors which he claimed lurked at the periphery
of humanity's perceptions. Indeed, I was glad I had taken a journal into
which I could transcribe his delusional rants, for he had a great deal to
tell me about The Dreamer In The Catacombs Of Ur:
7. The Dreamer in the Catacombs of Ur
[Doctor Ignatius Stone:]
It was like some dark, dark dream. We had not heeded
the warnings of the ancients, and now we would pay the price... here, within
the catacombs of Ur.
Lost within the lightless catacombs of Ur... Entombed within the ziggurats!
[The Keeper of the Ancient Lore of Ur:]
Trapped forever in the catacombs of Ur...
your screams are heard in Babylon!
[Doctor Ignatius Stone:]
Warnings etched into the cuneiform tablets of Ur...
Entombed within the ziggurats!
[The Keeper of the Ancient Lore of Ur:]
Behold the great Cthonic deities of Ur...
Your screams are heard in Babylon!
[Doctor Ignatius Stone:]
Here, beneath the eternally shifting sands, I sought
enlightenment... but found only damnation!
[The Chief Cultist of Ur:]
You have defiled the sanctity of this sacred place!
[The Keeper of the Ancient Lore of Ur:]
Ancient before the Fifth Cataclysm, here
between the two rivers in Ur the Dreamer waits! And when the seal of the
seventh city is broken, then shall the dreamer in the catacombs of Ur awaken!
Forsaken (when His darksome splendorous glory eclipses it) burns the sun,
Enthrone (the eternally) benighted one, Usurper of the skies.
Named in (that black, shunned tome of ) forbidden lore,
Destined to rule (this telluric sphere and the myriad stars beyond) once more,
The Dreamer shall arise!
Now, let the Gate yawn wide and the horrors of the Abyss engulf the earth, for
the Dreamer in the catacombs is risen!
How many of my colleague's rants were merely the result of his psychosis and
how many were actually born of fact, I cannot discern... nor in truth do I
wish to.
[20 October, 1893]
I have long felt the celebrated map of Admiral Piri Reis, which quite
astoundingly depicts the continent of Antarctica in a state wholly free
of the ice which has bound it ceaselessly since time immemorial, to be of
far wider and more resonant implications to humanity than the proud echelons
of the scientific community will ever dare admit. I believe that beneath the
ice-veiled surface of that southernmost continent lie the remnants of time-lost
civilisations which were ancient even before fabled Atlantis sank beneath
the waves. Indeed, further translation of the sigils engraved into the
antediluvian artefact has imbued my oft derided theory with an unmistakable
aura of veracity. Piecing together the fragmentary records evidenced in this
incredible relic, whilst simultaneously cross referencing the resultant lore
with information gleaned from other sources on the same theoretical subject,
I have been able to extrapolate a meaning from the arcane carvings which
transcends all but my most fevered imaginings. What mighty cyclopean structures
once towered skyward where now only the desolate wind-whipped ice-wastes
endure? What splendid peoples once throve where now only the hardiest and most
resistant forms of life subsist? This ancient and wondrous testament is truly
an elucidatory blessing to such idealistic questors as I, who are forever
In Search Of The Lost Cities Of Antarctica:
8. In Search of the Lost Cities of Antarctica
[The Explorer:]
Beneath the ice, the endless ice of Pangaea's now axial
eternally frozen frontier, entombed for countless millions of years... the
lost cities of Antarctica!
Secrets locked within the ice, the endless ice of Antarctica,
'Neath the peak of Erebus the First Ones sleep, Lords of Pangaea,
Cities lost within the night, the frozen night of Antarctica,
Pre-Cambrian, the Voyagers, beyond the stars, Lords of Pangaea.
[The Testament of the Winds:]
Once, the coruscating spires of man here offered their splendour to the
heavens. Now, those spires gleam no more, save in dreams of verdant plains,
save in dreams of time-lost citadels.
Legacy of a utopia lost, forever enshrined 'neath the ice...
[Echoes of the First Ones:]
Sail across Panthalassa to Gondwanaland,
Three moons to guide us on this voyage across the sea,
Sail across Panthalassa to Gondwanaland,
New lands to conquer and claim for our progeny.
[The Testament of the Winds:]
Before the Third Moon fell from orbit, before the
Nine Continents were formed from Pangaea's shattered surface...
Hewn from the Pre-Cambrian rock, behold this primordial metropolis!
And the First Ones shall awaken on that day, when man will return to the stars!
[Echoes of the First Ones:]
We, who were before Man, are destined to be the
architects of his future!
[The Explorer:]
And humanity shall one day rediscover the secrets long-frozen
within the lost cities of Antarctica!
There will come a day when the ingenuity of man shall pierce that impenetrable
shield of ice which keeps Antarctica's wonders from our inquisitive gaze, and
I truly believe that day shall herald a glorious new era of enlightenment for
us all.
9. The Chronicle of Shadows
[The Imperator of the Night (Hearken to the Attestation of the Sinistrous):]
For it is the iniquity of man which compels him to these tenebrous gates,
seeking opiate dreams and the alluring embrace of oblivion...
Know that I have cavorted beneath the horned moon with repellent fiends, and
liberated virgins from the burden of their maidenhood.
(Supping deep of that sweet ichor and revelling in the sanguineous megrims my
ophidian tongue has wrought.)
Tyrannic I am where the Serpent dwells, the lissome embrace of the succubi,
Like a wolf in the fold, red of tooth and claw, enthroned beneath black
nether-skies.
Shadows stalk the viscid gloom, (beware the) blades of the assassins,
The call of Ul-Yeh in the air, the crystal skull is shattered,
A veil of cloud about the moon, (fevered) dreams of (trenchant) steel and fire,
Hearken to the slithering, the envenomed kiss of night.
[The Imperator of the Night (Thus Spake the Chronicle of Shadows):]
Such adoration bestowed upon me beneath the cryptic moon!
Caressed by ululant lotus-stained tongues...
(Behold the true purity of that which lurks concealed beneath the mantle of
shadow, and let the deluded, debauched sybarites flee in terror from that
darkness which they profess to embrace!)
Beyond the spheres of light and darkness, beneath distant pallid stars, I bring
the iridescent glimmer of forbidden truth, seared in the crucible of blasphemy!
For amorphous they come, steeped in the fetor of ten thousand years,
Abhorrent colossi spawned from the sinistrous cosmic spheres.
And upon their tongues, vile secrets so terrible sweet madness is a redolent
balm!
[The Imperator of the Night (Revel in the Triumph of the Dark):]
I shall glut the maw of that ineffable nameless evil which lurks forever in
the soul of man, for so it is written in the Chronicle of Shadows...
[29 October, 1893]
They came in the night, and butchered five of my party, the terrified survivors
fleeing with the first wan light of dawn. The fiends seemed inexplicably to
be an extension of the night, as if their misshapen bodies were actually
somehow composed of the darkness itself. Even as I gazed directly at them,
I found I could not truly focus on their stygian forms... their bodies
appearing to shimmer and shift like the ripples of a heat-haze upon an arid
plain. My ammunition, discharged in vain, is all but spent... and now, as night
unfurls its malign wings once more to enshroud this desolate and forsaken
place, I wait alone for the sunrise I fear I shall never see. At dusk I
discovered a hidden alcove in the time-raught surface of the great monolith
which stands as a mute sentinel before the entrance to the colossal temple;
a moss encrusted crevice concealed from the eyes of man for I know not how
long. As the darkness massed about me, a strange miasma seemed to grip my mind
in tenebrous tendrils, and I beheld that horrifying and immemorial edifice
which I now feel certain once cast its diabolical shadow upon the Gate of the
Sun. It is all true, everything I feared, everything which I dared imagine
only in the blackest embrace of the most narcotic malignity. There are Six
Keys To The Onyx Pyramid, which conceal a terrifying truth never intended to
be grasped by the woefully fragile mind of Man. I now pray that no unfortunate
soul ever again stumbles as close as I to those cryptic axioms which lie ever
in wait between the incorporeal veils of light and shadow. I would offer up a
prayer to the divinity which once I worshipped, but I know it would echo
emptily through the abyssal reaches of the unheeding cosmos. As I scrawl this
final entry in my journal, the sun sinks with a chilling finality below this
now alien horizon. I know the shadowy figures shall soon return to claim me.
I must fortify myself for the onset of the night...
10. Six Keys to the Onyx Pyramid
[Instrumental]