Can a dark melancholy atmosphere and a catchy Pop musical appeal go hand in hand? When listening to Blutengel, the answer has to be a definitive “yes.” Evolving out of the fetish-Electro-project Seelenkrank in 1998, the group around mastermind Chris Pohl, one of the scene’s most prolific workaholics, was planned as a crossover of genres and emotions right from the start. Elements of electronic Pop music and Euro Dance are delicately mingled with the symbolism, the themes and the romantic appeal of the Gothic novel and the classic horror film. Add to that a wee bit of fetish eroticism and you get a catchy and highly addictive, yet alluring mixture. That the “dark side”, if presented in the right fashion, can have a solid mass appeal should become clear to anyone who looks into the success story of the vampire motif in the pop culture of the 20th and 21st century. In Blutengel’s music, dark imagery and romantic horror stories about vampires, death and the quest for eternal life are set to a musical backdrop that – be it dance- oriented or basking in pompous elegies – will have you hooked instantly.
Extol came into existence in the early 90´s during a period of time when heavy metal was commercially dead. Parallel to the emerging Norwegian underground black metal scene, and in a time when hard music was characterized by nu metal and post grunge, Extol insisted to pursue the dream of bringing death metal back to the alternative musical landscape. Extol knew the genre was in desperate need for change. The oppressive correctness, a lack of melodic freedom and a feeling of stagnation in the rhythmic patterns in metal, provoked Extols first full length album;“Burial” (1998).
There’s not much difference between a playground bully, a corporate CEO and the self-absorbed figureheads of many of the world’s current administrations. They’ll all tell you that by surrendering your lunch money or tax dollars, they’re working toward “your best interests.” And we all realize these people are merely imposing a will of their own choosing to enhance their own mythology. Of course, fake benevolence isn’t the sole domain of public figures: Life has taught us the most insidious masters of manipulation come in more covert and intimate forms. Consider your friends, lovers and spouses.
Очередной проект весьма плодовитого маэстро Кристиана Поля (Seelenkrank,BlutEngel,Terminal Choice,Tumor),пришедший на замену закрытому ныне Тумору,называется весьма забавно - "Miss Construction"
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Margo
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